Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

Good to Know

A Curve Nobody Drew

Hang a chain between two points and gravity does the rest.

There is a curve you cannot design. Hold a chain, a rope or a necklace by both ends and let it hang — the shape it settles into is not a choice anyone made. It is the exact line every point of that chain takes when weight and tension finish arguing. Suspension bridges use it. Cathedral arches were derived from it. It appears wherever something flexible is held at two points and left alone, and the eye reads it as settled long before the mind knows why.

Each band is flexible rather than rigid, and each hangs from a cable at either end — so the arc you see was not bent into shape at our workshop. It was found in your room, by gravity, on the day it went up. Move the anchor points apart and the curve flattens into a long shallow sweep. Bring them closer and it deepens into a fall. Same fixture, two entirely different objects.

Along each band sit small pebbles of alabaster, set flush against the surface rather than hanging beneath it. Nothing dangles, nothing swings — the light appears to have grown along the curve rather than been attached to it. And because the stones are spread the whole length instead of gathered at a centre, the light arrives evenly across a long table with no single bright point to look into.

Not directly — and this is the most important thing to know before ordering.

Each band is held by a cable at either end, so the fixture anchors to several separate points on your ceiling rather than one canopy. That means new holes, new fixings, and wiring run between them. It is not a swap-out for an existing pendant.

Choose on ceiling height, not table width — and this catches people out, because it works backwards to most chandeliers.

The two sizes are almost the same length: 70.9″ and 74″, only three inches apart. What changes is depth: 23.6″ against 47.2″. The large one is nearly four feet tall on its own, before any cable.

So: small for a 9–11 ft ceiling over a dining table or island. Large for 11 ft and up — a double-height entry, a stairwell void, a vaulted room. On a standard ceiling the large version simply hangs too low.

Yes — that's the whole idea. The bands are flexible rather than rigid, so the arc isn't bent into shape at the factory. It's found by gravity once the anchor points are in your ceiling.

Set the anchors further apart and the curve flattens into a long shallow sweep. Bring them closer and it deepens into a fall. Same fixture, two quite different shapes — and the decision is made in your room on the day.

Yes, and more evenly than most chandeliers this size. The stones sit along the whole length of every band rather than gathering at a centre, so the light reaches the ends of a long table instead of pooling in the middle.

It's also comfortable to sit under: dozens of small glows rather than one bright source, so there's no single point to look into from any seat.

Because they're cut from real quarried stone, not moulded from resin. Every pebble has its own veining, and some glow noticeably warmer than the ones beside them.

On a fixture carrying this many, that's the first thing you notice — and it's what tells you the stone is real. A set that matched perfectly would have to be plastic.

No bulb — the LED is built into the fixture, running at warm white 3000K. Nothing to buy, nothing to match, and no odd one out among all those stones.

The trade-off is that there's no bulb to swap for a dimmable one later. Dimming works through a compatible LED wall dimmer on the circuit instead. (Please contact us if you require dimming functionality.)

Faux leather over a core, with metal fittings and natural alabaster stones.

That material is a deliberate choice rather than a saving. A solid metal bar holds whatever curve it was bent to at the factory — these bands flex, which is the only reason the shape can be set in your room instead of ours. Clean them with a dry cloth only: never soak them, and don't use leather conditioner.

A soft dry cloth on both the stones and the bands. Keep water off the alabaster — it's porous, absorbs it, and leaves a mark that won't buff out. The bands should stay dry too.

No sprays, no polish, nothing abrasive. Switch off and let it cool first. Once or twice a year is plenty.